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|| SportsShooter.com: Member Message Board
Question about DSLR HD videos at sporting events
Ben Laing, Photographer
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Newburyport | MA | USA | Posted: 2:07 PM on 08.24.10 |
| ->> I was thinking of getting a canon 7D for its video capabilites, it'll make my job at my newspaper much easier and i thought it would also be of benefit to covering our local high school sports teams, but then i began thinking, are there any policies regarding shooting video with your DSLR at professional sporting events? Since i don't have one currently, i've never noticed any restrictions but i image there must be, anyone come across anything? |
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Eric Canha, Photographer
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Brockton | MA | United States | Posted: 3:19 PM on 08.24.10 |
->> From the NFL credential agreement:
The credential card does not authorize the Bearer to shoot video of Game action. When issued to video personnel, it only authorizes the Bearer to shoot video of non-Game activities (e.g., player interviews) and to use such video in accordance with the terms below. The creation of Game action video requires, and is subject to the terms of, a separate, signed Sideline Video Access Agreement.
And item 7 from the NFL's credential memo
Credentials alone do not authorize holders to shoot Game action video, or to create the appearance of video by using closely sequenced still photographs of Game action. Use of camera equipment to create Game action video requires, and is subject to, a signed Sideline Video Access Agreement. Still images that are sequenced to appear to be video are not permitted under any circumstances.
Guess they saw Bert's baseball rig :)
~E |
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Ben Laing, Photographer
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Newburyport | MA | USA | Posted: 4:11 PM on 08.24.10 |
| ->> good to know. i assume the other leagues probably have similar restrictions. do they apply to strictly game footage, for example, could you shoot fan reactions, cheerleaders, halftime show, etc.? |
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John Howley, Photographer
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Circleville | OH | USA | Posted: 1:24 PM on 08.25.10 |
| ->> At the Indy 500, and it's my understanding this applies to other racing venues and organizations, no video of on-track activity is allowed (except by the track itself and the TV network(s) that paid for the rights to cover the event). |
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Erik Markov, Photographer
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anywhere | IN | | Posted: 1:44 PM on 08.25.10 |
| ->> John is right, ESPN has the video rights locked up with most things around the 500. The Moto GP is even worse I would say with respect to the motocycling happening this weekend. |
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Jeroen de Jong, Photographer
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Waalwijk | _ | Netherlands | Posted: 7:48 AM on 08.28.10 |
->> I'm just reqading the media-rules for Fia GT1 where I will attend this sunday at the track of the Nürburgring in Germany.
About videocamera's it says:
A Photographer's pass only grants you the right to take still pictures.
Digital video cameras taking moving pictures will be considered as TV cameras, and therefore CONFISCATED unless sporting the appropriate TV camera sticker.
Unauthorized shooting of moving pictures may result in a REFUSAL OF MEDIA CREDENTIALS for subsequent events(s).
So, I'm not allowed to make a little film with my 7D. I have a level A pass, wich allows me in the pits, but that doesn't mean I can film.
Doesn't matter, because I'm there to take still pictures. That's what the client needs. And I'm happy not to focus on filming but 100% on still pictures |
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Ethan Magoc, Student/Intern
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Erie | PA | United States | Posted: 11:54 AM on 08.28.10 |
->> Have a gander at this thread: http://www.sportsshooter.com/message_display.html?tid=34855
From Patrick: "As for the footage and TV rights, I was careful to state to the SEC in my proposal that I wanted the rights to use it for self promotion on the internet, so I am completely free to use it in that way."
Basically, just be clear about your intentions going in.
One question about your statement, though: "it'll make my job at my newspaper much easier..."
Have you shot with the 7D or equivalent HD-DSLR yet? It's anything but easy and takes a great deal of time and money to get the results you want for daily newspaper usage. But you're right -- it's just about the best tool for convergence usage out there once you get the hang of both ends. |
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Jeff Mills, Photographer, Photo Editor
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Columbus | OH | USA | Posted: 2:29 PM on 08.28.10 |
->> I'm not suggesting anyone would do this, however, with recent "hybrid" cams that have EVF's such as the Panasonic GH1 or the new Sony A55 or whatever its called, you can shoot video with the camera up to your eye using the EVF. You don't have to use the rear LCD in "live view" mode and hold it at arms length. As such, how could you really tell if someone is simply following the game action through the viewfinder as a still shooter would be doing, or if they have it recording video footage instead ?
I think video ability is here to stay in regards to all new camera models and its only going to improve in its ability as well, making it easier to use, such as providing realtime AF and so forth.
Currently shooting video with a DSLR is a bit of a pain and even if you've got a newer cam that can do it, I don't think many are tempted, but as it gets easier/better, and all you've got to do is press that little dedicated record button next to your shutter.....
Its going to be an interesting next few years |
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