

| Sign in: |
| Members log in here with your user name and password to access the your admin page and other special features. |
|
|
|

|
|| SportsShooter.com: Member Message Board

Event shooters...what if? More about IL reprint battle
 
Clark Brooks, Photo Editor, Photographer
 |
Urbana | IL | USA | Posted: 2:52 PM on 11.26.07 |
->> I feel sorry for VIP (http:www.vipis), the vendor for the IHSA. While it is the association's responsibility to enforce the contractual exclusivity, they have told media outlets that they are free to give the photos away.
From their official statement: "In a letter to the Illinois Press Association, the IHSA’s Executive Director indicated that newspapers could give photos to anyone in their communities, provided the photos were used for personal rather than commercial use."
Since most of the posters to this thread are event photographers, if you were in VIP's position, how would you feel if the organizer told your competition they could give photos away from the same event you are trying to derive and income from?
Do you think you could/would earn the same, more or less income? |
|
 
Kevin Smith, Photographer
 |
Lockport | IL | US | Posted: 3:19 PM on 11.26.07 |
->> How could it not hurt their sales numbers?
I would think that the papers, angry at the IHSA, would give out good copies of everything that they had taken just to spite the IHSA, especially with this statement giving them the right to do so.
If you're VIP, that's money out of your pocket. Who's going to go to your site and pay for pictures if every paper in your town is giving them away for free?
I’d actually like to know what VIP thinks of this, yes the whole fight is with the papers and the IHSA, but their name is thrown around an awful lot. Do they really appreciate that? If you’re not getting or giving any money to the IHSA for this “privilege” is it really worth the bad publicity? Or is it true that no publicity is bad publicity? |
|
 
Jeff Mills, Photographer, Photo Editor
 |
Columbus | OH | USA | Posted: 3:37 PM on 11.26.07 |
->> Thats definatly a shame for VIP and a pity too as VIP really was one of the better event photo companies to shoot for. They paid well, got the check to you quickly, were well organized and always hired top notch shooters. They really take pride in putting out a high quality product.
I hope that they don't start hiring $8/hr button pushers instead of real photographers at their events in the future in order to cut cost.
Regardless of what type of photography you do, you hate to see anything of value being given away because that only helps to devalue the work everyone does. Its such a step backwards from the attitudes that we typically try to teach new photograpers such as "if your work is good enough for someone to want, then its good enough for them to pay you for" and "make sure your shooting for what your worth" |
|
 
Eric Canha, Photographer
 |
Brockton | MA | United States | Posted: 3:45 PM on 11.26.07 |
| ->> Have any of the papers actually done this? |
|
 
Eric Canha, Photographer
 |
Brockton | MA | United States | Posted: 4:00 PM on 11.26.07 |
->> One question that I have is why is this only an issue with the papers? TV doesn't seem to have the same issue understanding licenses and use. When channel 99 goes out to cover a final they may shoot the entire game but they package their spot and its done. They air a 30 second piece or even a minute and its over. If you contact the station they'll sell you that one segment but not the whole game.
They don't try to re-broadcast the game in it's entirety at 3am so that the parents can tivo it and score a free game tape. None of these issues ever seem to get the TV stations as up in arms as the papers. Why is it that they understand that someone else has paid for the broadcasting rights and they respect that? There isn't any crap that ... well we do a better job than the local cable company so we have the right to provide a better product to the community... It just doesn't happen. If Cox has the broadcast license then thats the end of the story. Why?? |
|
 
Kevin Johnston, Photographer
 |
Oden | MI | USA | Posted: 4:06 PM on 11.26.07 |
->> The only place I've even seen VIP mentioned is in the NPPA article that is linked to in the original thread.
How do you see this as being bad press for them? I didn't see where any of the papers who were refused field access even mentioned them. There has been nothing offered up to show that VIP is even the driving force behind ISHA's enforcement of their policy.
I did notice one comment from the complaint in the NPPA piece that was interesting though. The comment about the ISHA was that it "is a “state actor” based on the public character and nature of IHSA’s members and as such “constitutional protections of a free press and equal protection” can be applied."
I am not an attorney and I'm getting old so my memory could be slipping but I seem to recall a suit against the MHSAA (Michigan High School Athletic Association) where the plaintiff tried to apply that logic but it didn't work. I seem to recall that the court ruled that even though the association was made up of public schools it was not a "public entity". I will be curious to see how that works in this case. |
|
 
Clark Brooks, Photo Editor, Photographer
 |
Urbana | IL | USA | Posted: 4:18 PM on 11.26.07 |
->> Kevin: This might interest you -
From Moche Menor, et al vs IHSA...)
http://www.projectposner.org/case/1982/683F2d1030)
"The Association no longer contests the finding that it is an arm of the State of Illinois for purposes of the Fourteenth Amendment. Although the Association is nominally a private organization, public high schools comprise the bulk of its membership and dominate its decisionmaking."
Based on your post there seems to be two prevailing thoughts on the status of state athletic associations. |
|
 
Jeff Mills, Photographer, Photo Editor
 |
Columbus | OH | USA | Posted: 4:21 PM on 11.26.07 |
->> Eric, I think TV doesn't make any issue of out it because they don't need to rebroadcast a game, or sell a highlite DVD etc to make money because as a whole, local channels aren't seeing ratings decline. How many layoffs have you seen from a local network ?
Newspaper on the other hand have been facing declining readership for a while now and I think they are looking to online sales as a new outlet to make much needed money. They can see a huge potential market they can grow (as some have been working quite hard on doing) so don't want to give that up.
Just a theory..... |
|
 
Mike McGinnis, Photographer
 |
Milwaukee | WI | US | Posted: 4:32 PM on 11.26.07 |
| ->> VIP got the IHSA and numerous other accounts from 20/20 a few years back, said they would cover all the state events for free. Not sure what you were getting paid but the going rate was $12 to $14, unless you shot for them for a while. I know the Illinois shooters got more as well as you might have. Brian Hurley who heads up the action division is a great guy!!!!!!! I know I worked there for about 3 1/2 years. |
|
 
Kevin Johnston, Photographer
|
 
Dave Amorde, Photographer
 |
Lake Forest | CA | USA | Posted: 4:50 PM on 11.26.07 |
->> Arguments for allowing news media to sell nontraditional reprints:
1) "We have a 1st Amendment right to do so."
Rebuttal: No, you do not. In most cases, you don't even have a 1A right to be there; your access is at the sole discretion of the event organizer. If access is granted, the event organizer may restrict your movements or actions in any manner they see fit, for safety or other logistics reasons, as long as they don't violate your PERSONAL rights. The Bill of Rights in general, and Article 1 in particular, regulates the actions of the Federal goverment, not state or local governments, not public or private institutions, etc. While judges have over the years interpreted many of these rights rather liberally, it has not done so universally. Whether you want to yell "fire!" in a theatre, or buy an automatic weapon, etc., it should be clear that there exceptions to every "rule", especially rules written as broadly and vaguely as the Bill of Rights.
2) "We have done so in the past."
Rebuttal One: That was then, this is now. Time has a way of inviting changes of all kinds; some welcome, others not so much.
Rebuttal Two: No, you haven't. What you did in the past was sell direct reprints of photos and/or whole pages of articles as they appeared in print. Please don't insult my intelligence by arguing that an online gallery of hundreds of images, complete with cropping options and "shopping cart", is the same as selling "reprints".
3) "Why are you afraid of competition?"
Rebuttal One: Competition is irrelevant. I have an exclusive contract; one which the event organizers had every right to offer, and which I had every right to sign. I am holding up my end of the bargain, and PAYING DEARLY as a part of that bargain, so I expect the organizers to uphold their end.
Rebuttal Two: Apparently we have a different meaning of the word "competition". You see, I have plenty of competition. My competition is other event companies, who are free to offer the organizer their services in my place. If the organizers feel their terms or their product is better than mine, then I will lose. In that case, I will be forced to become a better businessman, or close up shop.
If your paper is so interested in competing with me, why don't they negotiate for the event rights just like I do? If a news organization chooses to turn their press photogs into event photogs, more power to them. Just don't give me this crap that what you're doing now is true "competition", because it isn't - it's an end-run around a legal contract based on access granted under (what turns out to be) false pretense.
4) "What if we give them away?"
Rebuttal: KNOCK YOURSELF OUT. We all know that giving away photos for free is an excellent business model. But in all seriousness, ff it turns out that giving away photos can be ruled a community service and rolled into the cost of doing business, so be it. I guess that's the price I have to pay in the name of progress and advancing technology.
Just please, please, PLEASE, don't waste my time or intelligence on the other arguments; they just don't fly. |
|
 
Clark Brooks, Photo Editor, Photographer
 |
Urbana | IL | USA | Posted: 4:59 PM on 11.26.07 |
->> "TV doesn't seem to have the same issue understanding licenses and use."
TV compared to photography is a relatively new medium and had until the internet a limited point of delivery. Until the tivo, internet and file compression formats, a TV broadcast was limited to a certain time of day.
While print and broadcast perform the same function in gathering content the difference comes in the delivery of that content. The broadcast medium is only available to an audience at a given time whereas anything in the print medium is available nearly 24-7 to view initially and at the reader's leisure. And let's not forget you need a TV to see the broadcast.
My theory is I think the industry developed much differently because of its limitations in reaching an audience.
Like print advertising dollars pay for each minute of air time and covers the stations expenses as well generates a profit. As Jeff pointed out, TV don't need to rebroadcast a game or program because that airtime or licensing for that show filling the space has been paid for.
At some point as people migrate to the internet to watch their favorite TV shows this status quo will likely change as broadcast companies will see more competition from web-based broadcasters. We don't subscribe to cable or dish. I can watch all my favorite TV shows or view newscast in a little screen on my workstation or full screen on a laptop with fewer commercials, multiple times and when my schedule permits at any point through out the day. In the pre-internet paradigm I would have to be home or record the show with a VCR that I liked.
So I see the broadcast field evolving and going through big growing pains mirroring this one likely changing at some point in the next 5 to 10 years.
If it wasn't for the internet and being able to reach a mass audience 24/7 the reprint and secondary usage issue wouldn't be on the table. This thread and others like wouldn't exist if people still had to make a trip to the newspaper or magazine's office to view or order images to have prints made for personal use.
An interesting thought...
If a photographer or newspaper is selling photos from the state finals or embargoed contest by offering the images for sale on the internet, it is a great way to reach a mass of potential buyers. However, the chances of being discovered is relatively easy for an organization like the IHSA.
In selling prints offline the chances are pretty low, unless someone complained to the state organization and they investigated the situation, getting caught in the act.
However, the internet is also a boon for a state organization trying to regulate prints sales because with a few mouse clicks and google searches it makes it easier to police, contact and force compliance with their policy on photographers and newspapers engaging in photo sales. I would think that in forcing a greater number of rule-breakers into compliance, thanks to the web, would help their partner, VIP, and their sales. |
|
 
Clark Brooks, Photo Editor, Photographer
 |
Urbana | IL | USA | Posted: 5:05 PM on 11.26.07 |
->> Dave -
Thank you for your input. As always glad to see your thoughts on this issue. |
|
 
Rob Ostermaier, Photographer
 |
Newport News | VA | USA | Posted: 5:49 PM on 11.26.07 |
->> The examples of what a couple of the Illinois papers are doing does smack of event photography. Our paper wanted to do the dump all of our take online and put it up for sale a couple of years back. That goes way beyond editorial useage so and the idea was killed. We do put 5 to 10 photos in an online gallery but they are not in a sales style gallery.
http://www.dailypress.com/sports/
We do have to be careful though. Lets not head down the road that leads to papers having to buy photos from event photographers. This feels like a step down that road. |
|
 
John Plassenthal, Photographer
 |
Vandalia | OH | USA | Posted: 10:11 PM on 11.26.07 |
->> There have been a lot of great posts in the 3+ threads regarding this issue. For me the main fundamental issue keeps getting lost. The courts have ruled for years that an art print is editorial. It is your right and legal to sell a print to anyone and that is not commercial use. The law defines commercial use as having the image associated with advertising a product.
In my opinion these rules to sign a form whether by pros, colleges, or high schools are by definition a rights grab for you to give up your legal rights. The issue is power and control more than anything else. The schools, teams, governing bodies are doing everything they can to take over control of all information. They are using the guys with cameras to shut out professional freelancers and reducing their payouts on contracts to reduce costs.
This has very little to do with the money a paper may get from selling a few prints. An avid parent will buy every print of their kid they can get and it won't impact anyone's revenue stream to have them available. An event photographer who makes images available immediately suffers little impact from a newspaper making an image available days or weeks later.
One thought I've not heard expressed is whether anyone has consulted an attorney to determine if the agreement you are forced to sign to be able to do your job in covering these events is legally enforcable. Since you are signing under duress (sign and give up your rights or go home) I don't think many courts would consider it a valid contract.
This whole issue is likely to get worse until either a major legal battle clears things up, or a major boycott brings the issue to the public consciousness. The writers strike in Hollywood is an example of the same rights-grabbing mentality that we are all faced with. When people start watching re-runs then public opinion will start to swing their way. If the newspapers printed a few blank pages courtesy of the organizations who want to grab rights perhaps it would get better at all levels.
The issue isn't whether a newspaper should be selling prints, or whether the event photographer is losing revenue. The issue is whether we should enjoy the rights and protections the law affords us or whether it is necessary to give them away for the privledge of covering a money making enterprise. If we continue to give away rights to pro, college and high school sports as professionals, then we have no room to complain about the guy with a camera who is doing exactly the same thing: giving away rights for access. |
|
 
Sam Santilli, Photographer, Photo Editor
 |
Philippi | WV | USA | Posted: 10:41 PM on 11.26.07 |
| ->> If the newspapers are so worried about loosing rights, why not offer some percentage up to the state sanctioning body? If yiou care so much about the kids and their parents, throw some money into the mix and see what happens. Then again, this is all about the cash, and not rights, public service, etc. |
|
 
Clark Brooks, Photo Editor, Photographer
 |
Urbana | IL | USA | Posted: 11:53 PM on 11.26.07 |
->> Only one of the post up until this point answered the question posed at the end of my initial post.
Since most of the posters to this thread are event photographers, if you were in VIP's position, how would you feel if the organizer told your competition they could give photos away from the same event you are trying to derive and income from?
Do you think you could/would earn the same, more or less income?
Since no one really directly answered this question, does this mean that no one thinks the event shooter would suffer? |
|
 
Jeff Mills, Photographer, Photo Editor
 |
Columbus | OH | USA | Posted: 12:48 AM on 11.27.07 |
->> I think its a given that it hurts anyone trying to sell images when someone else is giving them away.
Even when its some parent who shows up with a digicam at a baseball game and then who goes and gives a free CD of photos to all the kids on the team it affects sales.
The images certainly wouldn't be remotely close to what any decent photographer could offer but they are free.
Free has got to be one of the most powerful words in the English language. Something that would be totally unacceptable for even a few dollars suddenly isn't that bad when its free.
Thing is as well that we aren't talking about some soccer mom or football dad with a Kodak uberzoom digicam. We are talking about images from talented and well equiped working professionals.
While they may not be focused on the exact same type of images as an event shooter in all cases, theres going to be plenty of overlap with some actions shots and some really stellar images will be produced and there will be parents eager for a copy, especially if its free.
I don't know about anyone elses area but here in Columbus all of the local publications have outstanding photographers who week in and week out produce amazing images.
The old saying goes you can compete on quality or you can compete on price.
If the competition has every bit the quality and can blow you away on price, then you've got some serious problems I'd say. |
|
 
Dave Amorde, Photographer
 |
Lake Forest | CA | USA | Posted: 2:34 AM on 11.27.07 |
->> People who continue to bring up the editorial vs commercial usage issue are completely missing the point. The usage is IRRELEVANT to the issue at hand. And if you're still convinced that event photography or even printing newspaper outtakes is commercial usage after the past three threads - not to mention the ENTIRE BODY OF EVIDENCE ON THIS SITE, then there is nothing I can say here to convince you otherwise.
This isn't a "rights grab" either. No one wants your copyright. No one wants to restrict what has been the traditional definition of "reprints"; no one wants to prevent you from attempting to move one of these images over the wire (assuming someone else would be interested).
What the event organizers are trying to do is hold you to the bargain you made when you entered the field with a credential holder around your neck. You know, the one with the tacky copy of your driver's license and the word "PRESS" in big red letters stamped on it. Remember that? That identification gave you free and relatively unencumbered access based on the premise - on the PROMISE - that you were there as working press for whatever local rag you were employed by or were stringing for. Because of that promise, you didn't get charged admission. Because of that promise, you got to walk places that "normal" people didn't have access to. And, more importantly, because of that promise, there were no negotiations regarding "vendors' fees", "commissions", "kickbacks", "bribes", "highway robbery", or whatever you want to call the fee that the legitimate event photographer DID pay. THAT, my friends, is the issue at hand - the ONLY issue at hand.
As for Clark's question: obviously, if the newspapers actually decided to give away decent 4x6 prints for free to any and all takers, that would seriously impact sales. However, that nonsense wouldn't continue very long, because the papers can't really afford to do that. That is nothing more than an empty threat.
Now, after all of this bother over this issue, do I REALLY think that newspapers selling copies of photos that didn't appear "in print" would seriously impact my business? Absolutely, positively, NOT-NOT-NOT. Newspaper shooters are on a completely different mission than I am. They want nothing but peak action, they want no one but the stars of the key plays, and they couldn't give a tinker's damn if Little Johnny Third-String, who's lucky to get play for a single set of downs, gets his photo taken or not.
I, on the other hand, care a great deal about Little Johnny. LJ's Mom is one of my best customers. She beams with pride whenever he takes the field, and if I get just one decent frame of LJ - even if he's just sprinting up the field with not a soul around him - Momma is going to buy an 8x10, with custom borders and captions, and two addtional copies for the grandparents.
- Side note to event shooters: you DO know who your repeat customers are, right? You make sure their kids get covered, right? If not, unless you're covering a big-numbers event like a soccer tournament or chearleading competition, you won't survive in this business very long...
Now, what were we talking about? Oh yea...
That other player; the one who scores all the touchdowns? You know; Bobby Big-Stuff. BBS's Mom doesn't buy prints; she quit buying prints long ago, because she already has too many prints of her own, copies of VHS tapes and DVD's made by the school or a teammate's parents, as well as several copies of that local rag you work for, with BBS on the front page of the "Local Sports" section.
Which brings us full circle; to the real reason why you, the local PJ, came to the game in the first place. Yes, you are held in high esteem by BBS's parents, the staff, the PTA, and everyone else in the community. Your paper has built up good will over the years, by providing local prep sport coverage. You are welcomed onto the field without charge, and with open arms.
But that good will won't mean squat if you get into a pissing contest with league, school district, or state inter-scholastic federation personnel. They have their own axes to grind, and they know, just like the rest of us, that your paper doesn't write up prep sports as a "community service" out of the kindness of your corporation's collective heart. Your paper covers prep sports because it sells papers and generates page hits on the website. If it didn't, you wouldn't bother, and everyone knows it. |
|
 
Mark Peters, Photographer
 |
Highland | IL | USA | Posted: 8:03 AM on 11.27.07 |
->> Dave,
What is the incremental cost to a newspaper to simply allow free downloads of a medium resolution file? "Giving away prints" does not require them to actually print the image and mail it out. Since the cost to produce the image, process it and post it to the web gallery is already sunk, I would suggest their financials are in exactly the same position if they copy protect the gallery, or not - if they are not permitted to sell reprints.
Further, if the public is informed that these galleries are available for free download, it may actually drive traffic to the site, traffic which would permit the sale of additional advertising bordering those pages.
As such, i suggest that is far from an empty threat - and in fact could be a good business practice - again if sales of reprints is not permitted. . |
|
 
Mike McGinnis, Photographer
 |
Milwaukee | WI | US | Posted: 8:29 AM on 11.27.07 |
| ->> I think VIP got the Karma they were deserving with the comments that were stated by the IHSA. I think that is a bummer the IHSA said that, but maybe this was karma payback for taking the Illinois account from 20/20, the company that used to cover state events for that area. The only way VIP could have taken the account was buy the "no charge offer" or ISHA would have not changed event photographers in the first place. Hope this sticks to the question Clark. |
|
 
Eric Canha, Photographer
 |
Brockton | MA | United States | Posted: 9:16 AM on 11.27.07 |
->> Dave well said, Bravo.
Mark for 2 reasons;
1. If the papers were to do it ONLY at IHSA restricted events it would be easy to show that the motivation was purely to stifle commerce. I think that there are laws controlling such behavior.
2. The papers are run by grownups. (Usually)
This whole argument has a very short lifespan ahead of it. The continued advances in cameras coupled with the nosediving prices will move this off the event shooter in the relatively near (3-5 years) at to a much much more militant group. Soccer moms.
I'm willing to bet that in the very near future the booster clubs will start their own little cottage industry selling game photo DVDs. Lets face it a gripped D300 costs less today than my F5 did when I bought it a decade ago. A 300 2.8 keeps getting cheaper on the used market and consumer glass keeps getting better. Wait until a paper knocks heads with a group of soccer moms that think that the paper is cutting into THEIR sales. Wait until the booster club organizes and starts calling advertisers warning THEM that the real boycott isn't going to be the paper not shooting the Saturday game, it going to be all of the booster parents asking that the community support the team by not doing business at the advertisers stores until the paper becomes more supportive of the clubs efforts and dvd sales.
I'm not even talking about playoff or championships, just the regular everyday game. Think about it, in every group there is a wannabe. Their tools keep getting better. What you and I will see as a flaw in a photo like backgrounds won't even make it to their radar. They won't care. They will care more about THEIR sales AND they'll expect the paper to play nice. |
|
 
Kevin Johnston, Photographer
 |
Oden | MI | USA | Posted: 9:16 AM on 11.27.07 |
->> Dave,
Great posts and I don't mean to be arguementative or contradictory but some newspapers are now making event photography a part of their mission and it is effecting income levels from the events they cover.
Please refer to my post in part 2 of this series. |
|
 
Rob Dicker, Photographer
 |
Lake Villa | IL | USA | Posted: 9:33 AM on 11.27.07 |
->> Kevin,
If that is true "some newspapers are now making event photography a part of their mission" that is very sad. I know the “Illinois Five" very well, and none of them fit into that category. If there are newspapers in Illinois that are doing that, I'd be very disappointed. Here in Illinois when we in the newspaper industry go to a game and cover it for our papers, that is exactly what we do, visually report on the game. If our employers choose to supplement their bottom lines with the added revenue from reprint sales - good for them. If they choose to share some of those proceeds with us, even better. If the public likes being able to hang a print of Johnny's making the game-winning catch on their wall (as opposed to a yellowed cracked tear sheet) and that makes them proud of their kid every time they walk through that room, great.
But whichever it is, it isn't the IHSA's right or place in the world to tell newspapers what they can do with their copyrighted property, right? |
|
 
David Harpe, Photographer
 |
Louisville | KY | USA | Posted: 9:34 AM on 11.27.07 |
->> A 300 2.8 keeps getting cheaper on the used market and consumer glass keeps getting better. Wait until a paper knocks heads with a group of soccer moms that think that the paper is cutting into THEIR sales.
Reminds me of a story a friend of mine told me about a soccer mom who came into the store he works at and rented a 300/2.8 and a D2H to shoot her son's soccer tournament, then complained when she returned the gear and didn't get good shots.
The technology is there already. There's a lot more to it than that. If not, we should all worry. |
|
 
Eric Canha, Photographer
 |
Brockton | MA | United States | Posted: 11:00 AM on 11.27.07 |
->> Dave that's true, but lets face it, in each booster club there is at least one budding hobbyist who already owns half the gear and has at the least some level of competency. I'm not saying that they're shooting SI covers, but they sure are getting better at achieving 'good enough' standards. It's that 'good enough' standard that allowed Walmart and Home Depot to move in and cream the smaller 'quality' shops. Giving away files or prints will only put that mentality into warp speed. In essence the newspaper shooter who's photos are being given away will carry no more value than anyone else on the sideline who is burning and giving away DVDs.
I have no illusions on just how long the prep sports portion of my business may last. |
|
 
Mark Peters, Photographer
 |
Highland | IL | USA | Posted: 11:08 AM on 11.27.07 |
->> Eric,
My response was to the assertion that "the papers can't really afford to do that." Of course they can, because other than a few lines of code, there is ZERO incremental cost in simply removing the copy protection feature on a gallery. The cost of producing them is a sunk cost.
As for your assertion that this would be somehow illegal, I disagree. You would have to be able to prove that this action was solely meant to drive the event company out of business to allow the party doing the predatory pricing to come in and perform the same task. That's a pretty tough row to hoe, especially when the party doing it can show that they have a business reason to do so.
If I own an asset, whose value has been impaired by the actions of another, I am going to seek ways to maximize its remaining value.
These images are assets to the paper. An inability to sell reprints obviously impairs their value. Making the images available for free download may likely increase the residual value through either increased web traffic (thus increased advertising revenue possibilities) or increased community goodwill. You would not remove copy protection from galleries which do not have reprint restrictions as that would impair the value of the asset far more than the potential value of either increased traffic or goodwill.
So, far from being some petty schoolyard game, making such galleries available to the public is a reasonable response by the paper in an attempt to maximize the value of these assets through any means possible. |
|
 
Dave Amorde, Photographer
 |
Lake Forest | CA | USA | Posted: 11:28 AM on 11.27.07 |
->> Kevin, I have no doubt that some papers are indeed getting into the event photography business - and I have abosolutely no problem with it, as long as they negotiate with the league in good faith, and handle the task at hand in the same manner that other event companies do. The notion that papers are somehow entitled to do for free what other companies have to pay for is simply arrogant and dishonest.
As for parents with their own equipment:
I LOVE to see parents with 6 to 10 K worth of gear around their necks - that means I'm going to sell them A LOT of photos, because they ain't gonna git squat. Indoors, they don't understand lighting. Outdoors, they can't keep up with the action. Most parents have to shoot wide to keep the action in the frame, and shoot deep to keep the kids in focus. Their stuff looks like crap, and the fact that they have enough interest in the pasttime to buy all that gear means that they are painfully aware of their shortcomings, are greatly appreciative of good event photography, and have no problem paying for it. I also have several regular customers who, if they do get good shots, give the images to me to load on my site, so they can order prints from me! I guess all the equipment in the world doesn't make you a decent re-touch or color correction artist...
And the papers offering file downloads: again, KNOCK YOURSELF OUT. If giving prints away is good for business, releasing the digital negatives and any copyright control along with it has GOT to be a better model! That clearly demonstrates the value the paper places on their photographers' work, eh?
Ultimately, if prep shooting turns out to be a no-win, then I'll happily move on to greener pastures. Frankly, prep sports has NEVER been as lucrative as shooting the younger kids, for reasons already mentioned. For older kids, those who participate in "club" level soccer, Pony league level B-Ball, and pricy individual sports like skating, gymnastics, and equestrian will alway be more lucrative, because the focus is on the individual, and the families have the cashish to spare to photos. |
|
 
Eric Canha, Photographer
 |
Brockton | MA | United States | Posted: 12:06 PM on 11.27.07 |
->> Dave a moderator of one of the 'BIG' Nikon boards just also happens to be a "swim dad" at one of the schools that I end up shooting. He's a lawyer by day and a 'hobbyist' the rest of the time. The guy is good. Period. His kids attend a private school, his day job more than covers 30K of gear, and he gets access because he shoots for the yearbook, and the local weekly. I know that at the end of the season free DVDs abound.
I'm not saying that there are going to be dozens of parents trying to do this. But the booster club is a single entity that covers ALL the sports at the school. At many (not all) of the schools that I have been to there is at least ONE person who is seriously into photography who COULD slide into what we do. They only need one or two, not dozens.
..."If I own an asset, whose value has been impaired by the actions of another, I am going to seek ways to maximize its remaining value."...
You may want to speak to Bill Gates. I think that may have been his logic too. :)
I also agree with Dave. Let them try the free file thing... That will be one genie that they'll never get back in the bottle. Thats what REAL newspapers what to get into running Flckr sites.
And the slide continues............ |
|
 
Mark Peters, Photographer
 |
Highland | IL | USA | Posted: 12:17 PM on 11.27.07 |
->> Removing right click copy protection, or allowing file downloads is no more "releasing copyright" control than selling an image to a parent, who turns around and rescans it. With proper personal viewing licensing language, pray tell what they are "releasing"? You certainly haven't lost incremental reprint value - that opportunity doesn't exist anyway. Incremental editorial value - you haven't licensed it for editorial use, thus any such use would be illegal.
As for devaluing the photographer's work - the value to the photographer was monetized when they cashed their paycheck. So unlike the PWC giving away images - for which ZERO compensation is received, the photographer was fully compensated at market rates for their efforts. Further, since the primary value of the image to the media outlet was already realized through subscriptions, individual copy sales (of the paper), ad revenue (print and internet), etc., there is no devaluation of the photographer's work by subsequently attempting to maximize what in effect is the salvage value of the image as illustrated above. |
|
 
Dave Amorde, Photographer
 |
Lake Forest | CA | USA | Posted: 1:04 PM on 11.27.07 |
->> Eric, I know the type of shooter you are talking about, and there is little you can do about it. My local high school has a physician-parent that does the same thing for the Cross-Country team- which is fine by me, because those events generate little revenue anyway.
In the end, it is up to the event organizer to put policies in place to protect your sales, if they truly want the revenue from your vendor's fee. If they don't want that money, move on. If they do, presuming you are working a ticketed event, they can forbid entry with such equipment. Restrictions on shooting your own child only are also common, though not as easy to enforce.
Mark, what you are saying regarding value makes sense - up to a point. But it runs counter to everything people are taught regarding control over rights and the potential value of their images, and it doesn't address the situation of the stringer who doesn't receive a traditional check, and retains the copyright of their work.
Again, if giving away files or prints makes sense to the paper, they should go for it. It will be up to the leagues to decide whether or not such organizations should be allowed on the field or not.
Time to go make money... |
|
 
Mark Peters, Photographer
 |
Highland | IL | USA | Posted: 1:29 PM on 11.27.07 |
->> Dave,
I agree, it is completely counterintuitive. The only reason it makes any sense at all in this incredibly limited scenario is that the traditional, residual value of the image has been grossly impaired - to the point there arguably is none.
If an entity is permanently enjoined from selling reprints, then other than editorial relicensing, what on-going value does the image have? Virtually none.
For example. I covered the 2007 IHSA Individual Wrestling Tournament on a freelance basis. I've already been compensated for my time through the images that I licensed. Since I was aware that editorial reprints would not be allowed, I needed to ensure that I did not include any expectation of future reprint sales in determining the compensation that I was willing to accept for covering this two day event.
These images are in archive and may be editorially licensed again, however, as I don't want to risk being denied access to such events in the future, I do not offer reprints of these images for sale to parents and friends - (I do retain copyright). Other than the aforementioned, potential future editorial licensing (which given the event is likely to be incredibly limited if not non-existent) - what value do these files have to me? Basically none, since I can't monetize them. However, I have considered unlocking the gallery, for one reason and one reason only - (and no it's not spite.) I'm considering doing so on the chance that it may drive some traffic to my site, thereby resulting in someone seeing an image in a gallery that is available for print, and thus making a sale that I would not have made otherwise. Why did all the stores have those ridiculously low prices on a limited selection of items on Friday?...to drive traffic to their stores where they hoped they would buy a regular priced item they would not have otherwise. BTW - would this cost VIP a single sale? Doubtful, since they don't even have images from this event still available for viewing and purchase.
I don't believe doing this in any way devalues the potential value of my work - the IHSA/VIP agreeement already did that for me. So why haven't I done it yet? Maybe I'm hoping that there is an agreement reached in this matter that will restore the secondary use value of the images. That or I'm just lazy. |
|
 
Eric Canha, Photographer
 |
Brockton | MA | United States | Posted: 5:35 PM on 11.27.07 |
->> Mark,
Lets look at this from a mission standpoint.
The mission of most newspapers it to inform the public. If you look at the spirit or soul of the newsroom it all about putting out a meaningful, truthful, informative, product.
The mission of a sports league is to promote their sport. To sponsor, host, foster, and grow the sport to higher and higher standards.
The leagues for the most part try to do nothing that will interfere with an organization's ability to gather and report the news. Newspapers for the most part enjoy access to prep sports that they can only dream about at any other level of play. Newspapers enjoy access to the students, practices, and coaches with minimal restrictions. Most AD's and leagues will go out of their way to accommodate requests from newspapers. Try that at any other level of play.
One of the things that the leagues have had to do is to get creative when it comes to generating money. Every school and town is in a constant state of financial crisis. As has been well stated the leagues get their funding, in part, from the schools. If the leagues come up short their are only a limited number of remedies. Upping the dues is one, upping the ticket price is another, and reducing service a the third.
Given that 99% of the members here agree that the amount of money that each individual paper receives from print sales in minimal. Who is the real bully? In essence each time I've seen this unfold it comes down to the leagues offering full access, with one and ONLY ONE request. Leave the $200 or $300 dollars that you might make from print sales on the table so that we (the league) can keep a new revenue steam open and keep things affordable without having to tap the schools or the parents. I think that anywhere else this is called good will. That seems to be the biggest missing quality from these posts. Goodwill.
Refraining from selling prints or releasing free files does NOT impeed or restrict the ability of any newspaper from its mission. If you have printed your paper with photos and a story you have accomplished your mission. If you have posted a gallery of protected, watermarked photos, you have accomplished your mission. The mission was never to sell prints, it was to sell newspapers and tell the news.
And can we please stop with the joke that selling prints is a public service. I think that the server read that once too many times and blew a chip laughing. |
|
 
Alicia Wagner Calzada, Photographer
 |
San Antonio | TX | USA | Posted: 6:00 PM on 11.27.07 |
->> Dave,
It IS an issue of editorial vs. commercial rights. Because of the public nature of the schools involved in the playoffs, the newspapers have a right to access. That is the crux of the argument. The IHSA thinks it is running a private event, and the newspapers think it is a public event. High school sports is fundamentally different than pro sports for that reason.
And access to cover the games is what is being denied. In at least one state, for example, (I can't remember if it is Illinois) the credential agreements attempted to restrict video. Newspapers are now using video coverage on their websites, so it absolutely affects their ability to report on the public schools. That includes web galleries (so called secondary use in Illinois) and web video. Newspapers do not have a first amendment right to sell reprints. But they do have a first amendment right to cover the schools. That is what the entire case is based on. So yes, it is relevant.
Also, it IS an issue of a copyrights grab. The Pennsylvania association is attempting a blatant assertion of the copyrights to all images taken at the games. If that is not a rights grab, please tell me what is.
Newspapers are multi-million dollar, highly profitable businesses. While reprints help pay for camera gear and other photo dept. expenses, this is hardly a change in the business model of the newspaper. I don't think the reprints add a significant amount to any newspaper's bottom line. |
|
 
Michael Granse, Photographer
 |
Urbana | IL | USA | Posted: 6:02 PM on 11.27.07 |
->> In response to Clark's original question, having done a lot of youth ice hockey tournaments I do not consider newspaper photographers and their "after the fact print sales" to be a threat to my business.
For one thing, it is relatively rare for newspaper photographers to even show up at the tournaments that our group has covered, and this is something that we are actualy trying to change. We would like to see more newspaper coverage of this fantastic sport, and we would even be willing to allow a newspaper photographer to (free of charge) use their Pocket Wizard (or ours) to fire our lights for a few minutes. If the kids we cover are going to be in the local paper, then they should look as good as possible in the process! I am hoping that access to the strobes will encourage newspaper coverage.
As for newspapers selling reprints, I don't have a problem with it. If a parent looks at my work in the lobby and decides against buying a print that they can walk out the door with on the HOPE that their local newspaper has a better shot of their kid, then I absolutely DESERVE to have them go and try to buy a print from someone else. If I do it right, the last thing on earth a potential customer is thinking about is the possibility of a better shot from a different shooter.
As for the "parent with camera" types, these people are generaly very eager to learn, very eager to try, and then very eager to purchase photos of their kids after the game.
We get a lot of the "wow, your shots are so much better than mine" from parents with a D-Rebel and a 70-300mm f5.6 or a 20d with a 70-200mm f2.8. I have even helped parents set up their cameras to get the best shot possible. These people come to the table after the game, show us how they did, and then buy photos. Do we loose an occasional sale in this process? Perhaps. However, I am absolutely convinced that this generates more sales than it eliminates. |
|
 
Mark Peters, Photographer
 |
Highland | IL | USA | Posted: 6:05 PM on 11.27.07 |
->> Eric,
I understand what you are saying. One piece that I think is missing from your description is that the media also provides a substantial amount of promotion to the state sanctioning body, and has done so for many years. That they've created the very opportunity that the sanctioning body seeks to exploit.
There's another side to this as well. I don't know how the sanctioning bodies operate in other states, but there is almost a veil of secrecy surrounding some of the IHSA actions. There operating budgets and overall finances are not made public. I can go to my local high school and see how they operate business. I can't do that with the IHSA. That may very well fall into the "so what" bucket, but I think it leads to a bit of mistrust of intentions, at the least.
It has been reported here in earlier threads, that the IPA thought the issue was basically put to bed, and then in a roundtable meeting, the IHSA first expressed one opinion, and then another IHSA rep contradicted that statement, and things grew from there. That only lends itself to further frustration - and again mistrust. They say they don't care about on-line galleries - today. But they also said at one point, there wasn't an issue with traditional reprints - but now there is. So when you see other states and organizations - (and in deference to our friends down under the Aussie Cricket $10,000 fee makes this look like child's play I'm sure to them)- going for rights grabs and access fees, it's hard not be paranoid, and decide to fight it here and now rather than cave in on what may be viewed as trivial. The arguments become shades of grey, and any concession is likely to be used against you in the future. |
|
 
Eric Francis, Photographer
 |
Omaha | NE | United States | Posted: 11:52 PM on 11.27.07 |
->> "I understand what you are saying. One piece that I think is missing from your description is that the media also provides a substantial amount of promotion to the state sanctioning body, and has done so for many years. That they've created the very opportunity that the sanctioning body seeks to exploit."
Oh please, do you really believe that attendance at a tournament, pick one, would drop more than a small fraction if the local newpapers didn't cover them. All the family and friends and classmates are going to attend anyway and that makes up the vast majority of the ticket sales.
I still contend that the papers need to sport more than the sport needs them.
e |
|
 
Mark Peters, Photographer
 |
Highland | IL | USA | Posted: 1:25 AM on 11.28.07 |
->> Yes Eric, I believe that the media has played a meaningful role over the past many years in helping the IHSA achieve it's current level of attendance at these events.
This promotion comes in the form on online media outlets as well. These sites generate significant interest among those not directly associated with the team. In fact, the first outlet that I am aware of being banned is Vincent Johnson's Illinois High School Football Weekly web site - they were denied access last year.
There has also been a significant effort over recent years, particularly in Peoria and Champaign to publicize these events and build public interest - most of it originating at the local level and not coming from the IHSA - though the IHSA benefits (as do the communities obviously). The local media has covered these activities, which I believe has helped to increase community interest - and attendance. |
|
 
Jeff Martin, Photographer
 |
wellington | OH | usa | Posted: 9:43 AM on 11.28.07 |
->> Mark,...." That they've created the very opportunity that the sanctioning body seeks to exploit. "
The media may have helped the event become more popular, but they didn't "create" this opportunity/event. Even if the state football championship had never been in the paper, I imagine the parents and players would still want photos from the game.
PS This "mess" is not about what is best for the student athletes. Both sides have made this claim in various news releases (Propaganda releases). |
|
 
Dave Amorde, Photographer
 |
Lake Forest | CA | USA | Posted: 10:17 AM on 11.28.07 |
->> Alicia writes: "It IS an issue of editorial vs. commercial rights. Because of the public nature of the schools involved in the playoffs, the newspapers have a right to access. That is the crux of the argument. The IHSA thinks it is running a private event, and the newspapers think it is a public event. High school sports is fundamentally different than pro sports for that reason."
Lord have mercy. Why is the word "commerial" even entering this argument? In any case, when it comes to lower education events, regardless of their nature, any attempt by ANY organization to demand access is more than likely to fail. The courts have ruled time and again that schools have very broad latitude to regulate who does or does not get access to an event. If the newspapers try to win this fight on 1A grounds, I believe they will lose.
As for what PA. is trying to do: I thought this thread was about Illinois? In any case, that sounds like a completely different story. If the shools choose to otherwise let the media in, they would have a hard time arguing that print visual media is "okay" while video is "not okay". On the other hand, there is PLENTY of case history legitimizing the argument that no visual media be allowed at all, other written coverage; privacy rights trumping 1A rights.
Also, while the schools may decide to let media in, that doesn't mean they have to let in any and all comers. Just like pro sports restricts the number of press passes it issues, so too could the school districts try to do the same thing.
Of course one of the major issues involved, which for some reason hasn't come to light here, is the simple fact that traditionally local print media, by moving their services to Web, have now become global media, whether they wanted to or not. That simple fact pushes privacy concerns up by an order of magnitude. We've already seen cases where school children, relocated across the country by a parent fearful of the estranged other parent, gets "found" by a simple Google query.
Like I said before, there are plenty of core groups involved, each with their own axes to grind. What starts out as a parent raising concerns about their kid's privacy at the local PTA meeting, once it gets mixed in with the wishes of the athletic departments to raise money, as well as guarantee equal treatment for all under Title IX, yada-yada, and you end up at the district level with "remedies" like this. |
|


Return to --> Message Board Main Index
|